At this moment, also, a long black funnel, crowned with wreaths of smoke, appeared on the edge of the waters. It was the American steamer, leaving for Yokohama at the appointed time.

“Confound her!” cried John Bunsby, pushing back the rudder with a desperate jerk.

“Signal her!” said Phileas Fogg quietly.

A small brass cannon stood on the forward deck of the Tankadere, for making signals in the fogs. It was loaded to the muzzle; but just as the pilot was about to apply a red-hot coal to the touchhole, Mr. Fogg said, “Hoist your flag!”

The flag was run up at half-mast, and, this being the signal of distress, it was hoped that the American steamer, perceiving it, would change her course a little, so as to succour the pilot-boat.

“Fire!” said Mr. Fogg. And the booming of the little cannon resounded in the air.

The Carnatic, setting sail from Hong Kong at half-past six on the 7th of November, directed her course at full steam towards Japan. She carried a large cargo and a well-filled cabin of passengers. Two state-rooms in the rear were, however, unoccupied—those which had been engaged by Phileas Fogg.

The next day a passenger with a half-stupefied eye, staggering gait, and disordered hair, was seen to emerge from the second cabin, and to totter to a seat on on deck.

It was Passepartout; and what had happened to him was as follows: Shortly after Fix left the opium den, two waiters had lifted the unconscious Passepartout, and had carried him to the bed reserved for the smokers. Three hours later, pursued even in his dreams by a fixed idea, the poor fellow awoke, and struggled against the stupefying influence of the narcotic. The thought of a duty unfulfilled shook off his torpor, and he hurried from the abode of drunkenness. Staggering and holding himself up by keeping against the walls, falling down and creeping up again, and irresistibly impelled by a kind of instinct, he kept crying out, “The Carnatic! the Carnatic!”

The steamer lay puffing alongside the quay, on the point of starting. Passepartout had but few steps to go; and, rushing upon the plank, he crossed it, and fell unconscious on the deck, just as the Carnatic was moving off. Several sailors, who were evidently accustomed to this sort of scene, carried the poor Frenchman down into the second cabin, and Passepartout did not wake until they were one hundred and fifty miles away from China. Thus he found himself the next morning on the deck of the Carnatic, and eagerly inhaling the exhilarating sea-breeze. The pure air sobered him. He began to collect his sense, which he found a difficult task; but at last he recalled the events of the evening before, Fix’s revelation, and the opium-house.

“It is evident,” said he to himself, “that I have been abominably drunk! What will Mr. Fogg say? At least I have not missed the steamer, which is the most important thing.”

Then, as Fix occurred to him: “As for that rascal, I hope we are well rid of him, and that he has not dared, as he proposed, to follow us on board the Carnatic. A detective on the track of Mr. Fogg, accused of robbing the Bank of England! Pshaw! Mr. Fogg is no more a robber than I am a murderer.”

Like most old fashioned pulpits, it was a very lofty one, and since a regular stairs to such a height would, by its long angle with the floor, seriously contract the already small area of the chapel, the architect, it seemed, had acted upon the hint of Father Mapple, and finished the pulpit without a stairs, substituting a perpendicular side ladder, like those used in mounting a ship from a boat at sea. The wife of a whaling captain had provided the chapel with a handsome pair of red worsted man-ropes for this ladder, which, being itself nicely headed, and stained with a mahogany color, the whole contrivance, considering what manner of chapel it was, seemed by no means in bad taste. Halting for an instant at the foot of the ladder, and with both hands grasping the ornamental knobs of the man-ropes, Father Mapple cast a look upwards, and then with a truly sailor-like but still reverential dexterity, hand over hand, mounted the steps as if ascending the main-top of his vessel.

The perpendicular parts of this side ladder, as is usually the case with swinging ones, were of cloth-covered rope, only the rounds were of wood, so that at every step there was a joint. At my first glimpse of the pulpit, it had not escaped me that however convenient for a ship, these joints in the present instance seemed unnecessary. For I was not prepared to see Father Mapple after gaining the height, slowly turn round, and stooping over the pulpit, deliberately drag up the ladder step by step, till the whole was deposited within, leaving him impregnable in his little Quebec.

I pondered some time without fully comprehending the reason for this. Father Mapple enjoyed such a wide reputation for sincerity and sanctity, that I could not suspect him of courting notoriety by any mere tricks of the stage. No, thought I, there must be some sober reason for this thing; furthermore, it must symbolize something unseen. Can it be, then, that by that act of physical isolation, he signifies his spiritual withdrawal for the time, from all outward worldly ties and connexions? Yes, for replenished with the meat and wine of the word, to the faithful man of God, this pulpit, I see, is a self-containing stronghold—a lofty Ehrenbreitstein, with a perennial well of water within the walls.

But the side ladder was not the only strange feature of the place, borrowed from the chaplain’s former sea-farings. Between the marble cenotaphs on either hand of the pulpit, the wall which formed its back was adorned with a large painting representing a gallant ship beating against a terrible storm off a lee coast of black rocks and snowy breakers. But high above the flying scud and dark-rolling clouds, there floated a little isle of sunlight, from which beamed forth an angel’s face; and this bright face shed a distant spot of radiance upon the ship’s tossed deck, something like that silver plate now inserted into Victory’s plank where Nelson fell. “Ah, noble ship,” the angel seemed to say, “beat on, beat on, thou noble ship, and bear a hardy helm; for lo! the sun is breaking through; the clouds are rolling off—serenest azure is at hand.”